Key To Music Grades

A - You will never be whole without it
B - Highly recommended
C - Flawed, but still pretty good
D - It's your money, not mine
F - Why couldn't this have been burned in Fahrenheit 451?
Showing posts with label Jimi Hendrix. Show all posts
Showing posts with label Jimi Hendrix. Show all posts

Tuesday, March 23, 2010

The Jimi Hendrix Experience - Axis: Bold As Love (1967)












Having recently listened to the newly released Valleys Of Neptune, I thought to myself, I need to review Electric Ladyland. Then, as testament to my prolonged absences here, I realized that I had already written it. Boink. So here's to all the picked-seconds of the world, I'm rubbing you Axis: Bold As Love. Like the opening to Electric, Axis begins with a waste of my time, the insipid avant-garde emptiness of "EXP." From there, it's a smattering of musical styles: the wah wah breeziness in "Up From The Skies" -- replete with tasty brush taps. Actually, let me interrupt myself. Mitch Mitchell gets his cake and he's probably eaten so much of it, he's had massive intestinal stoppage, but everyone still talks about Hendrix first and foremost, and I'd like to say, Mitch, you were awesome. There, I feel better. "Ain't No Telling" is a my favorite non-famous Hendrix track. If you haven't heard it -- seriously? "Castles Made Of Sand" is one of those songs that you play for people when you want them to hear what Hendrix was all about. "Little Wing" is, in my opinion, one of the few perfect songs ever written. Period. If you've ever wanted to hear an album end like it was a mad flower bursting into bloom, then listen to the last minute or so of "Bold As Love." This album is sonically exquisite. I have nothing but excess verbal superfluity in making an ass of myself otherwse. Enjoy. A

Monday, July 7, 2008

The Jimi Hendrix Experience - Electric Ladyland (1968)












I remember very distinctly standing in the middle of the road of just about nowhere in complete darkness in some desertous region of Iraq on our way to Baghdad with my paranoid eyes hidden behind my Wiley X's and my weapon at-the-ready waiting for some potential human snuffing when, out of some perverse defensive mechanism, "1983...(A Merman I Should Turn To Be)" began playing with extreme prejudice in my head.

Nothing happened otherwise, and we continued on, but I'd figured I'd let you know.

Non-musical matters aside, this is an amazing album. The fractured majesty in "1983" continues to remain indelibly etched in my sonic consciousness. But one of the real strengths of this album is its musical flow. What I love is how it just ramps up on you -- this is not to say that the first track "...And The Gods Made Love" is weak, it's just that by the time Hendrix begins ripping through "Come On (Let The Good Times Roll)," if you haven't already fastened your seat-belt, you're fucking screwed. There is simply no room for whatever is otherwise. When Hendrix sings about chopping down the mountain with the edge of his hand, I believe him. The guitar swaggering is monumental, the psychedelic grooves flail at full tilt, the feedback shapeshifts like an embryo in chaos. Oh, I'm beside myself. Surely, if you aren't a Hendrix fan, or could care less for this album in particular, you can't possibly love the electric guitar -- which in my opinion remains the greatest testament of its usage by a man who played it better than anyone before or since. A