Key To Music Grades

A - You will never be whole without it
B - Highly recommended
C - Flawed, but still pretty good
D - It's your money, not mine
F - Why couldn't this have been burned in Fahrenheit 451?
Showing posts with label Machine Head. Show all posts
Showing posts with label Machine Head. Show all posts

Tuesday, March 24, 2009

Machine Head - The Blackening (2007)












Having been considerably absent for some time -- my sincerest apologies, sack of soiled diapers and anything else to alleviate the ponderous lack you must certainly be feeling -- I have decided to begin on a good note and shall fiddle my furor for another day, because believe me, it's so there. And with that, let me tell you, as a purveyor of all things metal, this is an album you need to sink your zoobies into. (I'm tawkin' to youz to you, Master Cianan.) Even if you're not into metal, and you'd like to sample something one day, this wouldn't be your worst candidate.

The albums opens with "Clenching The Fists Of Dissent" -- a ten-minute anthem against our leaders of yesteryear who likened anyone who didn't support their ideas as unpatriotic. What a fucking doozy of a song. When I saw them a few years ago, it was the best opener to start with as well. I love the acoustic intro and the somber ramping up of the massive riffage and delicious solos. Yum yum yum. "Aesthetics Of Hate" was a song written for the murdered Dimebag Darrell after some conservative cockateel declared all metalheads to be mindless dirtbag barbarians and ergo Dime deserved to be murdered for inspiring such shithead followers. I'm careening for lack of practice, excuse my politics. Basically, this album is like a happy completion of your nifty little musical checklist of sorts. Riffage: check. Attitude: check. Solos: OMFG check. "Halo" is the purest example of this. Best song on the album and possibly best song by these guys, period. The solo feels like a modernized medley of "Freebird" and "Green Grass And High Tides" with vintage thrash for good measure. The notes, even among the heaviest riffs, can be described as not so much clean as distinct. I'm pretty much at loss for this one. It's a proggy thrash album with melodies and anthems and gorgeously brutal solos and actually contains meaningful lyrics. Among any genre, that's not as commonplace as you think. So, what in the cannoli are you still reading this for? Welcome back me! A-

Sunday, November 11, 2007

Machine Head - Burn My Eyes (1994)












Machine Head is such a great metal band that I've decided to review them for the first time. Okay, that was a deliberate lie -- a bit of dabbling with Nabokovian invention and self-serving harlequin vanity. Machine Head is a great band, for sure, but I didn't just decide to review them; I've actually already reviewed them here. Despite having a few thousand albums left in the pitch to strike with my pompous pen, I just noticed nigh several minutes ago the phrase "Real Eyes, Realize, Real Lies" on a website and figured that a review of Burn My Eyes was absolutely necessary.

"Real Eyes, Realize, Real Lies" is more or less an instrumental song that features a cornucopia of various news audio samples concerning the L.A. riots. Robb sings the title at some point within the song as well. Mostly, the song is a nice short segue into the album's final track, "Block," a brutal little closer. The album's opener, though, is where Machine Head really started it all. "Davidian" not only sets the pace for the album, but also cements their status as true metal heroes. An uncompromising and anthemic riff monster, Robb tells us to "let freedom ring with a shotgun blast" but kills us instead with the guitars -- which is totally fine by me.

"Old" and "Blood For Blood" are equally wicked as well with their revamped thrash tendencies. Overall, a solid and well-deserved debut by a band who would greatly reward us with an even more sophisticated metal album for the ages. And that concert is still ringing in my ears, in a tinnitus kind of way; but it was great. B

Thursday, September 27, 2007

Machine Head - Nokia Theatre Times Square - September 22, 2007


















Although disappointing because of its length (one hour), Machine Head played a gloriously brutal set. Keeping it taut and tense, with a few interludes where Robb made some nasty comments concerning Disney's attempts to censor the band on their tour, a few choice words for some sniveling critic who reveled in Dimebag's death, and a few shout-outs to the world's greatest fans, New Yorkers, the band did not disappoint otherwise. Pulling most of their material from their most recent (and best) record, The Blackening, Machine Head opened with the near-eleven minute "Clenching The Fists Of Dissent," replete with acoustics, ten thousand and one holy riffs and a whole lot of pissed off. Nothing could really equate, though, with the furious "Aesthetics Of Hate" (after the article of the same name by the aforementioned critic) -- definitely the song of the night. "Halo" featured some ridiculous guitar chops and solos that were incredible as well, but a Machine "Fucking" Head show ultimately wouldn't have been great if it hadn't ended with "Davidian," where freedom rings with a shotgun blast. A-

Setlist:
Clenching The Fists Of Dissent
Imperium
Aesthetics Of Hate
Old
Halo
Take My Scars
Descend The Shades Of Night
Davidian